Archive for the ‘Damien Hirst’ Tag

Feinin Spin Paintings – Damien Hirst

Damien Hirst’s spin paintings

A simple process which I would have preferred to use better pigments . I encountered many distractions over Damien Hirst’s Feinin. Many strange things happened while I was producing it.  At the last stage as I was taking down the tent before the spin paintings  were to be photographed, one of the spot lamps shattered…I wonder why?

Ah say why eh stick dem two painting on me tire den drive on de road….


I drove to the grocer and asked the bag boy if I could take a picture of him pointing at the tyre….he said, “dat is small change”and gave me back a dollar from the three I gave him

A thing is more important than me – Damien Hirst


No more butterflies no more spin painting

The British artist Damien Hirst has put two hundred works of art on auction at Sotheby’s. The artist explains his process of art practice is more like as being an architect, and artists don’t necessarily have to do the physical work. The business he oversees has a staff of 180 people and operates from nine studios. He also reflected what a museum is, a dusty gallery that hangs dead artist’s work and that his work at Sotheby’s is more like a retrospective.

The auction, critics believe, is gamble for the artist and for the art market. if buyers fail to bid at all, the fallout will have a domino effect of the true value of contemporary art. This may be a study which may yield a more realistic value of his work, and cause a tumble that you really don’t have to pay for something you really don’t want. Come judgment day.

During the BBC interview, Hirst simplified his work as butterflies, spin and spot paintings and said he is working on producing one spot painting. The logistics is of a two metres by four metres painting which will contain over a million dots. The work he says will take twenty years or for the rest of his life to complete. His description of the mythical object, the golden Calf produced after his diamond skull, Damien Hirst palms it off as a traditional image from a long time ago. If this clearance sale backfires, Hirst should step away from his art and rethink whether trying to constantly bet himself causes more harm than good.  Its not about the money. See the Damian Hirst – Mythology to God

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The artist Damien Hirst is selling his work at the famous auction house Sotherby’s. This latest ‘antic’ of his has played right into the hands of those who love to give him free press. The question that I am posing in this article is, what exactly is Mr. Hirst saying about art right now, and what are the implications of his actions?

I have stated in the past that an artist is an entertainer. Mr. Hirst knows this as a certainty. He has been able to draw attention to what he creates and he has more importantly encourage sale for what he makes. He continued in my opinion, the dialogue begun by the very prolific Jeff Koons, who as far as I am aware was the first to float an object in a tank of water as Art.

Not every work created by Mr. Hirst in his career has been remarkable, yet, he has managed to propel himself off of the controversy of his taxidermist centred works in tanks.

These works are indeed beautifully constructed and leave a haunting message, and they have gone on to influence fashion to graphic design, one of the many tests of the power of an artists’ skill. It cannot be argued that Hirst has brought some needed fire into the arena of Art today. Love him or hate him, most people cannot dismiss him. Yet, this latest manouvre of his, to sell his work at auction has left me feeling a bit cold. To me the work looks less like the sweat and rigour of a master, and more like the traversed movie set of a Tim Burton.

I do not say this easily. Listening to Mr. Hirst explain his golden calf piece, in the biggest gilded tank built for it, was painful to listen to. He sounded like a gauche billionnaire boasting about something that no one would want to create in the first place. Of itself,the calf is a reflection of mythology and religion, now seen in the context of the present. It is actually quite dramatic to look at. But Hirst’s explanation of it dumbs it down to a Liberace-like spectacle and not the remarkable object that it portends to be.

Is it possible that he is suffering from too much publicity perhaps? An artist able to make millions of pounds for his work is a wonderful thing. An artist who can command public attention on the scale that he does is also a boon to the artworld. The auction houses are known for selling the works of dead artists for fantastic prices. Hirst is getting attention for doing so for a living one. He is testing the boundaries of the art market and putting himself out in a risky way. All of this can backfire, and that is his challenge to himself. He is at the top of his game with very little else to prove. Is it possible that he is now becoming redundant? Is it also possible that he is too successful and we are now watching the decline of a once great artist?

Perhaps, but he certainly took us on an exciting ride. – Adele